WHERE HANDS MEET - March 2026, a solo exhibition by well-known Maltese abstract artist Josette Fenech, for the second time with this artist, Marcon led the exhibition management, public relations, marketing, and cultural coordination of the project, supporting the development and public presentation of the exhibition from concept to delivery. Working closely with the artist, curator, media partners, sponsors, and The Malta Trust Foundation, the role involved coordinating exhibition logistics, stakeholder communication, press outreach, social media strategy, event promotion, and audience engagement. Particular focus was placed on ensuring that the exhibition’s artistic and social dimensions were communicated cohesively and accessibly across both traditional and digital platforms. The exhibition, held in aid of the Ta’ Saura National Empowerment Hub, connected contemporary abstract painting with wider conversations surrounding inclusion, empowerment, accessibility, and social participation. Liaison with The Malta Trust Foundation and supporting partners formed an important part of the project, helping strengthen connections between the cultural sector, philanthropic initiatives, and community-centred engagement. Through strategic communication, cultural mediation, and collaborative coordination, the project highlighted the role of artistic practice not only as exhibition-making, but also as a platform for dialogue, visibility, and collective social impact.

ACMLAB - CULTURE & HEALTH - 2026 I delivered a public presentation as part of the Arts Council Malta Culture and Health Platform Fund programme, focusing on the implementation and impact of Careful Matter, one of the projects supported through the first edition of the fund managed by Arts Council Malta in collaboration with ARC Research & Consultancy. The presentation explored the relationship between culture, wellbeing, participation, and community engagement through collaborative artistic practice within care home environments. The session highlighted the project’s methodology, stakeholder collaboration, participant engagement, and the broader importance of culture and health initiatives within contemporary cultural policy and socially engaged practice. Through this presentation, I shared insights into project coordination, interdisciplinary collaboration, and the role of participatory cultural programmes in fostering inclusion, creativity, and wellbeing across diverse community settings.

FICTION(S) IN ARCHIVES | RESIDENCY, SYMPOSIUM & EXHIBITION - July 2025 As part of the international research initiative Fictive Archive Investigations (FAI) and the accompanying exhibition Two Moons and Two Suns, Marcon Borg Caruana supported the on-site coordination and cultural management of the residency, symposium, and exhibition activities held in Malta. The project brought together local and international artists, researchers, curators, and cultural practitioners to explore fiction, memory, and speculative approaches to archival practice through artistic research and interdisciplinary exchange. Working closely with artists and organisers throughout the residency period, Marcon assisted with artist liaison, local coordination, logistical support, and public-facing activities connected to the symposium and exhibition programme hosted at the Malta Society of Arts. Responsibilities included facilitating communication between local stakeholders and international participants, supporting symposium operations, coordinating aspects of the exhibition setup and visitor experience, and helping ensure the smooth delivery of talks, performances, screenings, workshops, and collaborative activities. The symposium Fiction(s) in Archives brought together artists, archivists, researchers, and cultural institutions to examine archives as spaces of fiction, memory, reinterpretation, and collective meaning-making. Through collaborative coordination and artist support, the project contributed to strengthening international cultural exchange and interdisciplinary dialogue within Malta’s contemporary cultural landscape

COASTAL COMMONS - June 2025 was a socially engaged, site-specific residency and public intervention exploring the relationship between coastal public space, environmental sustainability, and collective participation in Birżebbuġa, Malta. Developed as part of the wider European project OTRart, the initiative brought together local and international artists, environmental organisations, residents, and cultural practitioners through a process of artistic research, community dialogue, workshops, and ecological action. As Project Manager, Marcon Borg Caruana coordinated the residency’s operational, community, and collaborative dimensions, supporting artists, partners, local stakeholders, and public engagement activities throughout the project. The residency involved close collaboration with local residents, the Żibel environmental NGO, and the Birżebbuġa Local Council to facilitate workshops, site-based research, clean-up actions, and collective conversations around shared space, memory, and environmental responsibility. The project culminated in a co-created public intervention constructed from reclaimed marine waste materials, encouraging the public to interact with the space through play, gathering, rest, and collective use. Through artistic collaboration, cultural mediation, and community outreach, Coastal Commons explored how creative practice can foster new relationships between people, place, ecology, and the commons.

OPUS THEY - December 2025 The artistic research project ‘Opus they’ brings together visual artist Raphael Vella, sound designer Michael Quinton, architect Chris Briffa and project manager Marcon Borg Caruana to explore ways of collectively challenging anthropocentric perspectives through creative and critical thinking. This project studies how artists, architects, designers and others can contribute to an integrative approach to addressing global crises, through processes that promote cooperation and ethical action while critiquing dualistic distinctions between subjects (human beings) and objects (the external world, knowledge, matter, etc.). The team’s goal is to research innovative and transdisciplinary entanglements of different entities (plants, animals, non-living things, people) by engaging other artists and stakeholders based in different disciplines and creatively reconfiguring traditional understandings of agency. The research project is funded by Arts Council Malta.

FIGURE IT OUT - September 2024 As Project Manager for this initiative by Unfinished Art Space, co-funded by the European Union’s Creative Europe programme, I played a hands-on role in the successful delivery of both the exhibition and symposium. The project was also supported by the NGO Co-financing Scheme managed by the Malta Council for the Voluntary Sector, and the Conference Scheme of the Ministry for Finance and Employment. My responsibilities included coordinating technical requirements, sourcing suppliers, managing catering, and supporting the planning and execution of the public programme. Working closely with the curatorial team and project partners, I ensured smooth logistics and setup, contributing to the overall impact and professional delivery of the event.

ACM SYMPOSIUM 2024 - Renewing Common Pathways I participated as a speaker during the Arts Council Malta State of the Arts National Symposium 2024, where I presented research connected to my Master’s thesis titled Cultural Spaces: Enabling More Available, Accessible and Affordable Engagement. The presentation explored the evolving concept of cultural spaces in Malta through the lenses of accessibility, affordability, digital innovation, commoning practices, and community participation, examining how technology and collaborative cultural models can strengthen cultural engagement across diverse audiences. Drawing from my research in Arts and Cultural Management at Leuphana University, the presentation examined themes such as phygital cultural experiences, digital storytelling, virtual access, shared cultural infrastructure, and sustainable cultural development within the Maltese context. Case studies discussed included the Valletta Design Cluster, Magna Żmien, the Virtual Underwater Museum, and community-based cultural initiatives connected to Valletta 2018. The session also offered practical recommendations for cultural practitioners and policymakers on integrating digital tools, fostering collaboration, and rethinking cultural spaces as shared and evolving environments shaped by participation, empathy, and collective engagement.

REGION CALENDAR 2024 – As Cultural Manager during its designation as Region of Culture 2024, I conceptualized and led the development of a curated annual calendar that celebrates the region’s rich cultural fabric. This project spotlighted twelve local artists and artisans—each representing one of the region’s 12 localities—through professional photography and storytelling. The result was a visually striking and culturally significant calendar that served as a year-long artistic showcase. My role encompassed the overall creative direction, artist selection, coordination of photography and content, and managing the production and regional distribution of the calendar across all local councils. Each month was dedicated to a different artisan or tradesperson: a baker, ceramicist, sculptor, religious statue maker, carpenter, ganutell artisan, festive pavilion designer, fireworks specialist, fisherman, filigree maker, stained glass artist, and ceramic figurine craftsman. These trades, many of which are at risk of fading, form an essential part of Malta’s cultural heritage. Beyond visual presentation, the calendar included a programming element, with events such as artist talks, demonstrations, and community workshops aligned to the featured craft each month. This initiative not only celebrated artistic excellence but also fostered intergenerational appreciation and inspired youth to engage with traditional practices. The project underscores my commitment to preserving and revitalizing artisanal knowledge, ensuring that these invaluable skills continue to thrive in contemporary society.

SHOAH EXHIBITION - January 2023 As Events Manager for the German-Maltese Circle, representing the local office of the Goethe-Institut in Malta, I coordinated the Maltese hosting of the international travelling exhibition SHOAH, organised in collaboration with Yad Vashem – The World Holocaust Remembrance Center and the Tayar Foundation for Jewish Heritage in Malta. The exhibition opened on International Holocaust Remembrance Day in the presence of H.E. President George Vella, H.E. German Ambassador Walter Haßmann, representatives of the Tayar Foundation, and members of the diplomatic and cultural community. My role involved exhibition coordination, stakeholder liaison, event logistics, protocol coordination, venue management, and supporting the public programme connected to the exhibition. Given the historical sensitivity and commemorative nature of the project, particular attention was dedicated to respectful presentation, audience experience, and collaboration with international cultural partners and local heritage organisations. Coordinating an exhibition connected to Holocaust remembrance and education represented an important experience in managing culturally sensitive programming within an international diplomatic and cultural context.

MALTA BOOK FAIR - GERMAN STAD 2021-2023 I coordinated the organisation’s participation in the Malta Book Festival, as Events Manager for the German-Maltese Circle, representing the local office of the Goethe-Institut in Malta, supporting the promotion of German literature, publishing, and intercultural exchange within the local cultural sector. My responsibilities included coordinating with international and local publishing houses, managing transportation and logistics for books and exhibition materials, overseeing stand coordination, stakeholder communication, and supporting the public-facing programme throughout the festival. The role required careful logistical planning, coordination with cultural partners and suppliers, and ensuring the smooth presentation of the organisation’s literary and cultural activities within a large-scale national cultural event.

EARTH SPKR - July 2020 As Event Manager for the German-Maltese Circle, representing the Malta office of the Goethe-Institut, I coordinated the Maltese edition of Earth Speakr, the international participatory artwork created by internationally renowned artist Olafur Eliasson. Developed in collaboration with his studio and realised in cooperation with the Goethe-Institut, the project invited children and young people to use augmented reality and digital storytelling to express their thoughts and concerns about the future of the planet. My role focused on project coordination, event management, stakeholder communication, and the organisation of workshops and public engagement activities in Malta during the COVID-19 period. Despite significant public health restrictions and limited participant capacities, the project successfully created opportunities for cultural participation, environmental awareness, and creative dialogue among young people. Coordinating a project connected to one of the world’s leading contemporary artists and cultural ambassadors represented an important international cultural collaboration and a valuable experience in managing interdisciplinary cultural programming under highly challenging circumstances.

GERMAN FILM FESTIVAL IN MALTA - 2020-2021 As Events Manager for the German-Maltese Circle, representing the local office of the Goethe-Institut in Malta, I coordinated the Eleventh & Twelfth German Film Festivals. The festival presented contemporary German cinema to Maltese audiences through a curated programme of screenings and cultural activities aimed at fostering intercultural dialogue and international cultural exchange. My role involved event coordination, venue logistics, stakeholder communication, hospitality management, audience coordination, and supporting the operational delivery of the festival even during the COVID-19 period. Organising a public cultural programme under pandemic restrictions required careful planning, adaptability, and close coordination with partners, venues, technical teams, and health and safety protocols. The experience further strengthened my expertise in international cultural programming, festival coordination, and audience engagement within challenging operational contexts.

NIGHT WITH A LEGEND: ALESSANDRO DEL PIERO - 2019 As Events Manager at InterContinental Malta, I coordinated a high-profile hospitality and corporate event featuring football legend Alessandro Del Piero as guest of honour. My responsibilities included overseeing the audiovisual production, catering coordination, hospitality operations, venue logistics, and guest experience management throughout the event. The role required close coordination between hotel departments, technical teams, suppliers, VIP guests, and event stakeholders to ensure the smooth delivery of the evening within a fast-paced hospitality environment. Managing an event involving an internationally recognised public figure strengthened my experience in high-level guest relations, operational planning, and the coordination of premium hospitality experiences within a large-scale conference and events venue.

MEDITERRANEAN TOURISM FORUM 2019 - As Events Manager at InterContinental Malta, I coordinated the venue operations and event management for the Mediterranean Tourism Forum 2019, organised by the Mediterranean Tourism Foundation. The forum welcomed over 1,600 international delegates, tourism leaders, policymakers, and industry professionals from across the Mediterranean region, with HRH Princess Dana Firas participating as keynote speaker and guest of honour. The event positioned Malta at the centre of discussions surrounding sustainable tourism, innovation, and regional collaboration. (medtourismfoundation.com) My role focused on overseeing venue coordination, event logistics, operational planning, supplier management, guest experience, and supporting the delivery of conference sessions and networking events across the hotel’s conference facilities. Managing a high-profile international forum within a large hospitality environment required continuous coordination between organisers, technical teams, hotel departments, delegates, and external stakeholders to ensure the seamless execution of the event while maintaining professional standards expected from an international conference venue.

MUZIKA MUZIKA 2021-2022 As Procurement Officer for the first edition of Mużika Mużika in 2021, I was responsible for coordinating procurement processes and supporting operational logistics for one of Malta’s major live music productions celebrating Maltese-language music and performance. The role required coordination with suppliers, service providers, production teams, and event stakeholders to ensure the timely delivery of operational requirements within a large-scale live broadcast environment. In addition to procurement responsibilities, I coordinated hospitality services for singers, performers, and guests throughout the festival, ensuring smooth backstage operations and artist support. I also managed the live social media booth and influencer engagement area, facilitating digital content creation, live audience interaction, and online visibility during the event. This experience combined operational management, artist relations, hospitality coordination, and digital audience engagement within a nationally broadcast cultural production.

MAGNA ZMIEN - June 2018 My role was pivotal in bridging the Magna Żmien initiative with local organisations, ensuring a successful launch and fostering community engagement. I worked closely with the Mellieħa Local Council and the Imperial Band Club to integrate the event into the community's cultural fabric. The Mellieħa Local Council provided essential support in organizing the event at Misraħ iż-Żjara tal-Papa Ġwanni Pawlu II, while the Imperial Band Club contributed by sharing their rich musical heritage and archival materials, enhancing the project's depth and authenticity. A significant aspect of the project involved collecting and digitizing personal and communal memories. The Imperial Band Club's archives, including photographs and recordings, were invaluable in this endeavor. Their contributions not only preserved Mellieħa's musical legacy but also enriched the Magna Żmien archive, making these memories accessible to a broader audience. The event featured a time-machine performance by 'Armchair Voyager Wistin and the Banda ta’ Memorji Meraviljużi', a live sound and video installation by Timothy Garrett and Tiny Island Studio, and a short film programme curated by Solar Cinema. These performances, rooted in the collected memories, resonated deeply with attendees, fostering a sense of nostalgia and community pride. The collaboration between Magna Żmien, the Mellieħa Local Council, and the Imperial Band Club exemplified the power of community partnerships in cultural preservation. The event not only celebrated Mellieħa's rich heritage but also ensured that these memories would be preserved for future generations. The project went on to win the Premju ghall-Arti in 2019

SENTIERI | AZUL TEATRO AT MAJJISTRAL PARK - April 2018 I have to mention this most unforgettable moment was when the Imperial Band Club performed traditional Maltese tunes with a 40-strong band in this very space—a powerful gesture that united nature, music, and memory. It held special meaning for me personally, as my own grandfather had once played with the band, making the moment not just a cultural milestone, but a deeply emotional one. It was a celebration of community spirit, intergenerational connection, and the magic of bringing music and art to life in an unexpected place.

ALTOFEST - April 2018 I was entrusted with the unique and deeply human task of bridging artists with citizens—matching international performers with local residents willing to transform their homes into intimate performance venues. My role involved extensive community outreach to identify individuals who would embrace the ethos of the festival: experimental sociality through contemporary live art. I then worked closely with the producers to curate meaningful matches between hosts and artists, ensuring each home was not only a physical space but also a site of dialogue, transformation, and shared experience. The response from the community was extraordinary. What began as a call for a handful of participants quickly grew into one of the largest Altofest editions on the island, resulting in a weekend-long programme of performances across Rabat and Majjistral, and a powerful cultural moment for the North of Malta. Citizens became cultural heroes—a term central to Altofest’s philosophy—as they opened their homes and lives to the unknown, co-creating space for new rituals, encounters, and a legacy of trust between community and contemporary art.

SUBJECTIVE MAPS - March 2018 As the regional coordinator and cultural manager for the Subjective Maps project in St Paul’s Bay, I played a central role in building meaningful connections between the project team and the town’s richly diverse communities. Collaborating closely with the Qawra LEAP Centre, we engaged local residents—many of whom are long-time contributors to social initiatives—in the storytelling workshops, ensuring that underrepresented voices were heard and valued. I also coordinated with the youths of Aġenzija Żgħażagħ, whose creative energy brought the project to life through a vibrant mural that visually interpreted the stories and landmarks mapped during the sessions. This mural became both a celebration of local identity and a testament to the power of youth-driven expression. Through these collaborations, we produced a map that reflects not only the physical geography of St Paul’s Bay but also its emotional landscapes—marked by memory, migration, and community resilience.

ORFEO & MAJNUN - 2018 I coordinated workshops and public programming for Orfeo & Majnun, a large-scale interdisciplinary and participatory music-theatre project developed as part of the Valletta 2018 European Capital of Culture programme. The project connected the Greek myth of Orfeo and Eurydice with the Middle Eastern story of Layla and Majnun through music, theatre, storytelling, shadow puppetry, dance, and community participation. Developed in collaboration with international cultural partners across Europe, the initiative brought together artists, schools, musicians, local communities, and participants from diverse backgrounds through a process of co-creation and intercultural dialogue. My role focused on coordinating workshops, participant engagement, logistical planning, and supporting the delivery of the grand public performances and parade in Valletta. I worked closely with local and international artists, community groups such as scouts, schools, and cultural stakeholders to facilitate participation and ensure the smooth implementation of activities leading up to the large-scale final events. The project offered valuable experience in coordinating complex participatory cultural programming involving hundreds of participants, while exploring themes of identity, migration, belonging, love, and collective storytelling through contemporary artistic practice

SENTIERI #5 - April 2018 As regional coordinator for the site-specific performance “Geography: A Track Around Disorientation”, part of Altofest Malta during Valletta 2018, I played a vital role in bridging the artistic vision with the realities of the site and local context. The project took place in a protected natural area, requiring in-depth research into the site’s ecological significance and coordination with park rangers to ensure the landscape was respected and carefully preserved throughout the process. My responsibilities included not only logistical and environmental coordination but also supporting the directors, Serena and Raffaele, by facilitating local connections, sourcing specific materials required for the performance, and helping to adapt their conceptual framework to the physical and cultural environment of the site. I connected the artistic team with key local stakeholders, including environmental authorities, material suppliers, and community contacts, enabling the smooth development of this immersive and reflective work. The performance invited audiences to rediscover the land through movement and presence, while my role ensured that both artistic integrity and environmental consciousness guided every step of the journey.

EXTRAPOLATION FACTORY - February 2017 A multi-day speculative visioning event inviting the Maltese population to develop ideas for speculative programmes the EU could launch in the future. We were hosted by Time's Up Linz and it was held in February 2017 in Malta at The Grand Master's Palace, Valletta and MCAST Mosta. The project is part of the cultural program of the 2017 Maltese Presidency of the Council of the European Union with the support of Arts Council Malta and the Valletta 2018 Foundation. For this project, I was the Regional Coordinator for the North Region at Valletta 2018 Foundation

SPAZJI TEATRALI - March 2017 Theatre Spaces in Malta and Gozo: A Preliminary Catalogue. A study focused mainly on spaces with a history of performance within their walls, and are/were recognised as theatres by the community at large. It also includes a few schools, many of which allow their premises to be used by the community. I was the Regional Coordinator for the Central and North Regions for this project.

SOLAR CINEMA - Summer 2018 As the regional coordinator for the Northern region during Valletta 2018, I was instrumental in bringing Solar Cinema—an innovative, solar-powered, eco-conscious cinema initiative—to some of Malta’s most breathtaking northern locations. Recognising the project's potential to combine sustainable technology with accessible cultural programming, I advocated for Solar Cinema to become a key protagonist in the North’s cultural calendar. Through my coordination, screenings were successfully hosted in Majjistral Nature and History Park, Selmun, Mdina and other remote open-air settings, each chosen to maximise public engagement while respecting the natural environment. I liaised with local councils, NGOs, and community stakeholders to secure locations, organise logistics, and promote the events. These efforts resulted in large audience turnouts and highly positive public reception, with many attendees experiencing environmentally sustainable film screenings for the first time. The project not only delivered high-quality international cinema but also demonstrated how culture can thrive in harmony with nature, setting a precedent for future green cultural initiatives in Malta.

ĠAĦAN 18: NIFTĦU L-BIEB MA’ ĠAĦAN - As Regional Manager for this Valletta 2018 initiative, I coordinated the local implementation of the project in Mellieħa and St Paul's Bay, working closely with TIKKA BANDA in schools, local councils, educators, and community stakeholders to support the successful delivery of the programme. My role focused on community outreach, stakeholder engagement, event coordination, and facilitating participation among children and young people. Through this experience, I contributed to creating accessible cultural experiences that encouraged intercultural dialogue, cultural discovery, and engagement through music, performance, and education.

MILITARY MTARFA - November 2018 As Regional Manager for this Valletta 2018 initiative, I supported the coordination and delivery of the event in collaboration with Mtarfa Local Council and participating local entities. My role involved stakeholder coordination, community engagement, logistical support, and assisting with the organisation of activities connected to the historical re-enactments and public programme. I worked closely with local organisations and participants to facilitate collaboration, strengthen community involvement, and contribute to the overall visitor experience. Through the collective efforts of the project team and local stakeholders, the historic war shelter within the former British Naval Hospital was opened to the public for the first time, offering visitors a rare opportunity to engage directly with an important site of military heritage. The project created an opportunity to connect audiences with local history through immersive and educational cultural programming.

FIELD TRIP - January 2017 As Project Manager for this public art intervention by Fragmenta Malta, I facilitated the first-ever contemporary art activation within the operational space of the Ċirkewwa Ferry Terminal. Collaborating with artists Sonya Schönberger and Christof Zwiener, I coordinated permissions, logistics, and on-site arrangements to enable the installation of audio works and spatial interventions in a live transit environment. My role involved liaising with terminal authorities, ensuring minimal disruption to public operations while supporting the artists’ conceptual goals. The project challenged perceptions of public space and identity through subtle yet impactful gestures, such as the labeling of seating areas with terms like “Resident,” “Tourist,” and “Foreigner” .

MEMENTO MORI - October 2016 For this site-specific exhibition curated by Fragmenta Malta, I was responsible for arranging access and coordinating logistics for the first-ever contemporary art exhibition held inside the historic Għallis Coastal Tower. As Project Manager, I facilitated the necessary permissions and practical arrangements to activate this unique heritage site, supporting the curatorial vision with hands-on coordination of installation needs, site preparation, and artist support throughout the project.

IL-WARDA TAR-RIĦ (THE WINDROSE PROJECT) - December 2017 As Regional Manager for Il-Warda Tar-Riħ (The Windrose Project), I coordinated the project’s implementation across the localities of Sliema and Mġarr (Malta), supporting community engagement, stakeholder coordination, and the delivery of public programming. Developed in collaboration with the Rubberbodies Collective as part of Valletta 2018, the project explored Mediterranean wind lore, cultural memory, and local identity through a combination of traditional arts, digital media, workshops, story gathering, and public art installations. My role focused on liaising with local councils, community participants, artists, and collaborators to facilitate activities within both regions while ensuring the successful coordination of events and community-based initiatives. The project created opportunities for intercultural exchange and participatory engagement, connecting local narratives, mythology, and environmental awareness through contemporary artistic practice.

PRESENTS OF THE FUTURE - Mar 2016-Jun 2017 was a pan-European cultural project developed within the framework of the Maltese Presidency of the Council of the European Union 2017, in collaboration with Valletta 2018 and Arts Council Malta. The project explored themes such as migration, social Europe, security, identity, and alternative futures through community gatherings, workshops, speculative storytelling, and experiential futures methodologies. Working alongside international futurists, artists, researchers, and local communities, the initiative encouraged participants to imagine and prototype preferred futures for Europe from a distinctly Maltese perspective. My contribution focused on project coordination, stakeholder engagement, community outreach, and supporting the delivery of workshops, events, and public programming. I assisted in facilitating communication between partners, participants, and local communities while contributing to the organisational and logistical aspects of the project. This experience strengthened my interest in socially engaged cultural practice, interdisciplinary collaboration, and participatory approaches that connect cultural programming with critical reflection, dialogue, and future thinking.

HORTUS CONCLUSUS – March 2016 As Regional Manager for this one-day site-specific exhibition by Fragmenta Malta, I coordinated the first contemporary art intervention to take place within the 17th-century cloisters of the Dominican Monastery in Rabat. My role involved securing permissions, managing logistics, and supporting artist Teresa Sciberras in the installation of a thoughtful, research-led work exploring themes of contemplation and enclosure. I also led outreach efforts to engage the local community and attract new audiences to this unique cultural experience, helping to activate an otherwise inaccessible heritage site through art. The event successfully opened up the cloister space for public reflection and dialogue around art, history, and sacred spaces.

50 YEARS OF TOYOTA IN MALTA - 2010 I coordinated the 50th anniversary celebration marking the first Toyota vehicle sold in Malta for Michael Debono Ltd, held at the historic Saluting Battery within the Upper Barrakka Gardens in Valletta. The event required careful coordination within a culturally and historically sensitive site, balancing the client’s celebratory vision with respect for the heritage value, historical context, and operational limitations of the location. My role involved event coordination, stakeholder liaison, logistical planning, and overseeing the integration of the brand experience within the historic environment. Particular attention was given to preserving the integrity and atmosphere of the site while ensuring a professional and memorable experience for guests. This project strengthened my experience in managing events within heritage settings where cultural sensitivity, spatial awareness, and coordination between multiple stakeholders are essential.

NOTTE BIANCA - 2009 As AV Event Manager for this large-scale public event in Valletta, I coordinated the audiovisual production and technical management of two concurrent events held across Freedom Square and the Malta Stock Exchange during a national public celebration in October 2009. Following a successful public tender application, I secured and managed the project, overseeing technical coordination, event logistics, supplier liaison, scheduling, and live event operations across both sites. At Freedom Square, I managed the technical production for a live rock concert featuring prominent Maltese bands including Saving Alexis, Scar, Airport Impressions, Red Electrick, and others. Simultaneously, at the Malta Stock Exchange, I coordinated the audiovisual requirements for a fashion presentation by renowned Maltese designers Charles & Ron showcasing their ‘Fireworks’ collection. The project required careful coordination between performers, designers, technical crews, and event stakeholders to ensure the seamless delivery of two high-profile public events within a complex urban and heritage setting.

MOTOROLA - 2009 As AV Event Manager for Motorola’s networking conference held at the Grandmaster’s Suite at Hilton Malta, I coordinated the audiovisual production and technical management for an event hosting approximately 300 attendees. This marked the largest and most technically complex conference delivered during my ongoing collaboration with Motorola, requiring advanced planning, detailed coordination, and close communication between international and local production teams. My role involved liaising directly with Hart Wilcox, a British audiovisual production company, while collaborating closely with the team at Studio 7 to design and deliver a customised technical setup tailored to the client’s specifications. Responsibilities included overseeing technical logistics, stage and venue transformation, production coordination, scheduling, and ensuring the seamless integration of audiovisual elements throughout the conference. The strong professional relationship and trust established through this collaboration resulted in continued coordination of Motorola conferences over a three-year period, reflecting consistent delivery standards and long-term client confidence.

BOSCH - 2008 for Bosch’s international sales conference in Malta, I coordinated a large-scale multi-venue programme delivered across Corinthia Hotel St. George’s Bay, Hilton Malta, Mediterranean Conference Centre, and the Old Power Station in Marsa. The programme combined conferences, exhibitions, meetings, gala dinners, video conferencing, and networking events, with attendance growing from a small delegation to approximately 500 international participants arriving from various regions over the duration of the event. My role involved coordinating complex audiovisual production requirements across multiple locations while managing logistics, scheduling, interpretation services, technical suppliers, large-scale printing coordination, video recording, and live conferencing solutions. A significant aspect of the project included overseeing 16 simultaneous interpretation booths across multiple languages, representing the largest interpretation setup recorded in Malta at the time. The successful delivery of this highly demanding international conference demonstrated my ability to manage multiple event formats, large-scale operations, international stakeholders, and technically complex productions for a globally recognised repeat client.

CORINTHIA GROUP - As AV Event Manager for a series of annual corporate appreciation events held between 2007 and 2009 at Magazzino Hall in Valletta and Corinthia Palace Hotel, I was responsible for developing and delivering large-scale themed experiences designed to thank local service providers and collaborators. Each edition introduced a completely new creative direction inspired by contemporary cultural and design trends, transforming the venues into immersive event environments tailored to the client’s vision and audience experience. Working closely with the Corinthia marketing team, I contributed to the conceptual development, design coordination, audiovisual production, technical management, and overall event execution. Themes developed and delivered under my coordination included Fashion Capitals, Industrial Fire & Ice, and an Avatar-inspired concept, each requiring distinct scenography, lighting design, visual identity, staging, and atmospheric transformation. The project strengthened my experience in translating creative concepts into fully realised live events while managing production teams, suppliers, venue coordination, and guest experience for a repeat corporate client over multiple consecutive years.

ProjeKts / Proġetti